Yeşilçam (Yesilcam) Erotik Filmleri
Öyle Bir Kadın Ki
Erotic Turkish Filmstars:
Zerrin Doğan, Zafir Seba, Suzan Avcı, Sevda Nur, Funda Yanar, Neriman Köksal, Behçet Nacar, Levent Günsel, and Yılmaz Şahin

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Yeşilçam (Yesilcam) Erotik Film
Zerrin Doğan rides Levent Günsel
in the no-holds-barred
Öyle Bir Kadın Ki
Erotik Film Actress... Zerrin Doğan, Turkey's first hard-core 'erotik' star became a successful businesswoman
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From the historical erotic movie database of Turkey
The 'Erotik' Films Archive
Öyle Bir Kadın Ki
(A Woman Like That)
1/5

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Young Zerrin Doğan played the female lead in
Öyle Bir Kadın Ki
(A Woman Like That)
The first 'gloves off ' Turkish 'Erotik' Movie
with Levent Günsel as her leading man
in 1979
Öyle Bir Kadın Ki (A Woman Like That) -- The first 'gloves-off erotik' Turkish Movie
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'Erotik' Films History
The First All-Turkish No-Holds-Barred 'Erotik' Film --
Öyle Bir Kadın Ki
(A Woman Like That)
1/5


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Movie-making Turks haven't been shy about including earthy subjects or fleshy cinematic scenes in their films since as far back as the 1950's. That's when street-walkers, scantily clad harem girls, topless women, soapy semi-exposed bathers, belly dancers, and uninvited love-making first began appearing in conventional Turkish moving-pictures.

Suzan Avcı
Suzan Avci smooched with Sevda Nur in the first ever Turkish gay female movie scene -- during Atıf Yılmaz's 'İki Gemi Yanyana' (1963)
Click!
The 'intensity' of the action in conventional Turkish films escalated in the 1960's when 'lite erotik' opposite-sex scenes began to appear. And in Atıf Yılmaz's otherwise conventional İki Gemi Yanyana (Two Ships Side by Side), the first gay female Turkish movie scene -- a scorcher for its day, in which Suzan Avcı (Real name: Suzan Bizavcı) and Sevda Nur smooched on camera -- gave Turkish movie goers a shock when it was first shown in 1963.
Sevda Nur
Sevda Nur returned Suzan Avcı's french-kiss in the first Turkish gay female cinema scene -- during Atıf Yılmaz's 'İki Gemi Yanyana in 1963
Click!

Female cinematic 'erotik'-symbols during the 'Age of the Turkish Vamp' (1950s - 1960s) included Neriman Köksal (who made 177 films between 1950 to 1995), Funda Yanar (seen here as a dancer in Büyük Şehrin Kanunu, 1965) and Leyla Sayar -- who, in 1960, performed a memorably bold (we are told) strip-tease act in Atıf Yılmaz's Ölüm Perdesi... But Leyla Sayar drew the line in 1972, when she realized the direction in which the seks filmleri furyası ('erotik' films boom) would lead her. And after a short stint as a night club dancer, she quit the entertainment business altogether... opting instead for a simple, pious life.

Funda Yanar
shakes some Turkish booty in
Cavit Yörüklü's Büyük Şehrin Kanunu (1965)

Funda Yanar shakes her booty, Tuncel Kurtiz and Ahmet Mekin pretend not to notice -- in 'Büyük Şehrin Kanunu' (1965)
Thanks to
Erotik Türk Sineması
by Giovanni Scognamillo
and
Metin Demirhan150

Bacchanalian scene
from a 1960's Neriman Köksal movie
Scene from a 1960's Neriman Köksal Film
Click!
But it wasn't until 1972 that Parcalı Behçet (which was made in a desperate attempt by movie-makers to woo audiences away from their newly acquired home TVs and back to near-empty movie theaters seats) became the first Turkish film to be produced exclusively for purposes of 'erotik'-ism.

And when Parcalı Behçet attracted an overflow opening-day crowd of 7,000 to its initial showing in Konya (Mevlana's hometown, in the heart of Turkish religious conservatism), Turkish film-makers took notice (and heart). Subsequently, when the film enjoyed a 6-month run, in two side-by-side theaters smack in middle of that fair city, well, film-makers believed they'd found the holy grail. And from that time through to 1979, the production of 'erotik' Turkish films mushroomed.
Movie poster for
'Parçala Behçet'
which starred Behçet Nacar in 1972
'Erotik' Movie History of Turkey -- Behçet Nacar in 'Parçala Behçet'Thanks to Haluk Özözlü
http://www.sihirlitur.com/

Leyla Sayar
in an alluring pose
from the 'Age of the Turkish Vamp'
Leyla Sayar in an alluring pose from the 'Age of the Turkish Vamp'
Click!
The three most popular genres for legally produced Turkish 'erotik' films between 1972 and 1978 were Comedy, Adventure, and Murder Mystery. And they all had a not-very-well-kept secret about them in common. The secret was that Turkish actors and actresses didn't perform 'the act' for real. They only simulated it... Men wore underwear (briefs) and camera angles were chosen to cover up the fact -- sometimes without much success. There are lots of flashes of men's white briefs in the Turkish 'erotik' films made between 1972 and 1978!

Any for-real sex that appeared in these films was performed by foreigners in parcalar (movie film clips) that were inserted at predictable intervals of the Turkish film. Sometimes these parcalar were made specifically for the Turkish film in which they appeared, but in most cases they were just crude cuts of foreign films -- often entirely inappropriate (in focus or coloring) to the Turkish film.

That sort of 'erotik' film-making subterfuge came to a screeching halt in 1979, when the first all-Turkish cast was filmed in the first-ever legally produced and distributed 'Gloves-Off Erotik' Turkish film, Öyle Bir Kadın Ki (A Woman Like That) -- directed by Naki Yurter, starring Zerrin Doğan and Levent Günsel in the leading female and male roles.

Öyle Bir Kadın Ki set the Turkish cinematic industry on fire -- having even greater influence on immediate Turkish movie-making directions than Deep Throat had on American movie-making in 1972. 'Kadın' knocked the financial stuffing out of its soft-core 'erotik' (and conventional) rivals, and it had a profound effect (for a while) on the production of almost every Turkish film ('erotik' or conventional) that followed -- opening a new chapter in the 'History of the Turkish Cinema'...

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    © Yeşilçam (Yesilcam) Erotik Filmleri, Erotik Movie History of Turkey | Zerrin Doğan acted in Öyle Bir Kadın Ki | Yesilcam (Yeşilçam), Erotic Turkish Filmstars:
    Levent Günsel, Zafir Seba, Suzan Avcı, Sevda Nur, Funda Yanar, Neriman Köksal, Behçet Nacar, Yılmaz Şahin, and Zerrin Doğan